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Posts Tagged ‘film interiors’

After being added to Netflix recently, it reminded me that I must watch The Danish Girl again, for both the heart-warming and heart-breaking story and for the interiors. The Danish Girl tells a story loosely based on two painters, Lili Elbe and Gerda Wegener, of which Lili went through one of the first gender reassignment surgeries. The film is set in the mid-1920s in Copenhagen, a wonderfully moody and beautiful setting for the story.

As well as the interiors, we also get a beautiful view of the misty fish monger markets and lovely exterior shots. Below, an absolutely lovely view of a street full to the brim of yellow painted houses, a real sight for sore eyes.

The inside of Einar and Gerda’s apartment is a beautiful hazy blue, with lovely detailing everywhere. Their studio has moody, charismatic charm, the perfect cool, sparse setting for artists.

Their bedroom is a darker blue, with beautiful internal windows creating a stylish and intriguing feature. While the furniture in the bedroom is made of dark woods; the ornate, gothic detailing of the bed gives it grandeur, while the softer, bohemian linens and pillows create an interesting combination.

Here you can see some gorgeous pieces of furniture, I love the two toned nature of the wood and how it works wonderfully with the blue walls.

While in Copenhagen we also see another beautiful setting, with a touch more flamboyance this time; the backstage area of a theatre where a party is being hosted celebrates the arts with hanging ballerina’s tutus as decoration. A charming and highly effective way to give the room charisma and personality.

The Danish Girl is a lovely film, and full of beautiful interiors, and a great way to spend one of these cold evenings watching.

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This week I wanted to write about the wonderful film My Week with Marilyn, with wonderful interiors to match! It’s a few years old now, but having re-watched the other day it reminded me how cinematically beautiful and well directed the film is, so of course it needed a mention in our Film Fridays.

The film is based on a biographical book by Colin Clark about his time spent with Marilyn during the filming of The Prince and The Showgirl (1957) and tells his tale of his short but sweet romance with the iconic movie star. What is fantastic about the production of My Week with Marilyn is that they kept the authenticity of the filming locations true to history, using many of the same studios and houses that would have actual been used by Marilyn, Arthur Miller, Lawrence Olivier and Colin Clark during the original filming of The Prince and The Showgirl, which at the time was titled The Sleeping Prince.

The film begins at Saltwood Castle, the home of Colin Clark’s father, Lord Clark of Saltwood, and there are some lovely exterior shots that really begin to create a marvellous, over-the-top Americanised impression of what the English countryside looks like, but it’s this exaggerated romantic nature that makes the film so captivating.

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We get a lovely glimpse of the beautiful art deco interiors, where the London offices of Lawrence Olivier were based. The solid wood panelling mixed with the stunning accessories really helps to create the rose-tinted, seductive Hollywood glamour we associate with this time and especially with Marilyn Monroe.

A lot of My Week with Marilyn was filmed on the same production sight, Pinewood Studios, where The Prince and The Showgirl was filmed also, Michelle Williams even used the same dressing room as Marilyn. I love the classic vanity mirror and the dusty pink daybed they used to dress the room, it really creates an effortless sense of old Hollywood style.

The film also beautifully masters a ‘scene within a scene’, perfectly recreating the set from the 1950s film, as well as the crew.

There’s a wonderful use of shadows and light in My Week with Marilyn, not only does it show off the interiors and the set magically, but it also sets the mood and tone of the film and its characters.

The original house, Parkfield House in Surrey, where Marilyn and Arthur Miller stayed during the filming of The Prince and The Showgirl was also used as the home of the characters in My Week with Marilyn.

I love this exterior shot, the combination of the period car, the white walls and the wonderfully overgrowing foliage creates a regal and elegant look, perfect for the Hollywood starlet. The interiors are no different and are shot masterfully.

There is another lovely location used near the beginning of the film, a classic 1950s ballroom in south London, the Rivoli Ballroom, where Colin Clark takes Emma Watson’s character on a date before his is wooed by Marilyn. The Rivoli still exists today and is considered one of the last remaining original ballrooms from the fifties.

For a sneak peek into the world of Marilyn Monroe and a look at some fantastic interiors, My Week with Marilyn is the perfect film for just that.

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For my first Film Friday blog, Cate asked me to think of some films with beautiful interiors, and immediately I thought of the 1998 version of Great Expectations. I first saw this modern adaptation of the Dickens novel when I was fourteen, and I was completely taken with the theatrical nature of the old ruins of Ms Havisham’s mansion. It’s been a film setting that has stuck in my mind over the years and despite its derelict appearance in the film, there is something very special about the building, perfectly capturing Ms Havisham’s character.

The dusty old home is located in Florida, where the film is set and scrubs up nicely. The Cá d’Zan in Sarasota, Florida was the home to circus owner and art collector John Ringling and his wife and today is open to the public for tours and visits all year round.

Built in the 1920s in a Mediterranean Revival style the building is truly mesmerising and was the perfect location for the Great Expectations film.

I’ve always been a bit of a sucker for film adaptations of famous novels, especially modern versions. Having studied Great Expectations in school, I’ve always had a little soft spot for it, but even more so for this film. For me, there’s something about exciting about forgotten buildings left to be covered in dust and vines, whilst hidden underneath are architectural masterpieces. They’re grand old houses, completely impractical for modern day living but works of art none the less; they’re the kinds of buildings that have souls.

This beautiful ballroom, where Pip and Estella learn to dance, leading out onto a ocean view is my particular favourite. It’s authentic in its elegance, from the beautiful stained glass, to the chandelier, to the balcony, there’s something magical about it.

In the film the house is rather fittingly named ‘Paradiso Perduto’ which translates to Lost Paradise. Great Expectations is one of those films where a lot of credit and admiration should be given to the set decorator, Susan Bode, and her ability to turn a well-kept historical home into a well-orchestrated forgotten land of mystery.

This truly is a beautiful location for an interesting take on some classic literature, so if you’ve never seen it, it may be worth taking a look, even if it is just for the stunning scenery!

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I was totally enthralled watching Iris, the new documentary film about Iris Apfel, the interior designer and fashionista, which was made over a four year period by the brilliant Albert Maysles. It wasn’t just her fabulously dry sense of humour that I loved, or her energy which in her 90s seems almost unrelenting, or her great passion for the subjects that interest her, or her outspoken views which she unashamedly delivers throughout the film, or the wonderful relationship she has with her husband Carl to whom she has been married since 1949, but it was, of course, the glimpses we get of the interiors she has created which are as flamboyant as I had hoped and expected.

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Many scenes in the film are shot in her New York apartment which is as lavishly accessorised as she is (indeed some of the accessories are accessorised) and inevitably I was dying to see more. Fortunately I found a wonderful article about her in a back copy of Architectural Digest accompanied by a series of luscious photos of the interior of the apartment which are below.

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If you love fashion or interiors, or if you would like to know how to age well, I highly recommend this film. I will be getting the DVD as soon as it is out and in the meantime, a much larger pair of glasses.

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Having seen The Grand Budapest Hotel earlier this year and got Wes Anderson fever along with everyone else,  I thought I would bring you another of the great director’s wonderful films, looking as ever with an eye to the interiors. The Royal Tenenbaums is a brilliant tale of gifted youth, disappointment and eccentric family members. There is of course a wonderful house in the form of a New York brownstone with interiors that are as brilliant as the spectacular cast. I highly recommend this hilarious and touching film.

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Look at that brilliant wallpaper – a backdrop to the young Margot above and the grown up Margot (Gwyneth) below

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I’m not convinced this TV is bathroom-ready….

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Of course it is all about the interiors 🙂

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I went along to see Quartet at the cinema last weekend and of course, what I loved the most about the film was the fabulous interiors. Filmed at Hedsor House in Buckinghamshire, both the house and gardens are a feast for the eyes and I do believe that I that I spotted a touch of Zoffany wallpaper from the beautiful Classic Damask collection – but I could be wrong!

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